Goldfinger (1964)

 The RunUp to SkyFall: Goldfinger (1964) 

Author's Note

In 2012; I set out to watch all the official "Everything or Nothing" (EON) studios James Bond films in preparation for what was the 23rd film in the series; Skyfall (2012). For the sake of  brevity; these are being posted here as originally written, though my opinion in some cases may have changed. I've been tinkering with screening them again under different circumstances. However, as of right now, these are my official thoughts on all the James Bond series.
 
Due to the repeated themes and messaging that appears in series films; especially ones spanning five decades at the time; I chose to use a "The Good, The Bad, and The Ugly" format. I also ranked all the pressing "lists" that Bond fans tend to on occasion.

The Numbers:

Bond: Connery (3 of 6) 
M: Bernard Lee (3 of 11) 
Q: Desmond Llewelyn (2 of 17)  
Moneypenny: Lois Maxwell (3 of 14)
Director: Guy Hamilton (1 of 4)  
Theme Song(s): "Goldfinger” – Shirley Bassey 
The Villain(s): Auric Goldfinger (Gert Frobe) 
The Henchmen: Oddjob (Harold Sakata) 
The Girl* - Pussy Galore (Honor Blackmon) * - only the girl Bond ends the film with will be considered for the sake of brevity. This is especially important in more recent films.  
The Evil Scheme: Gold Arbitrager Auric Goldfinger is hired by the Chinese to detonate radioactive device in the fault at Fort Knox; effectively destroying the Gold Standard in the Western Hemisphere.  

The Good: 

Goldfinger really laid the foundation for what would become the Bond Template. Introduce the villain, Bond briefing with M, Flirt with Moneypenny, gadget training with Q, and then hi-jinks and tomfoolery abound for another hour and a half. However, Goldfinger is a different kind of villain mostly because he very much is motivated simply by business interests and as such makes moves based on probabilities and calculations. There are a couple times where it really is just dumb luck that Bond survives. The tense, uneasy back and forth between the men is really cool to see, and really comes across well on screen; it’s why Goldfinger is a LOT of people’s favorite Bond.   

The Bad: 

After focusing pretty much exclusively on S.P.E.C.T.R.E for the first two movies and spending 3 hours building up the super terrorist organization; it’s kind of odd to go back to just one evil genius villain. The effect of this is two-fold in that Goldfinger does such an amazing job of keeping Bond in check throughout the two hours that it makes S.P.E.C.T.R.E look like a complete joke by comparison. Also, as noted above, a lot of Bond’s survival is dumb luck and bluffing. Finally, there is the small fact that in Fleming’s novel, Pussy Galore is a lesbian (though it’s ambiguous in the film), and of course she ends the film with him. It’s worth noting that it’s not too much of a stretch to consider that Bond’s masculinity can effectively end the lesbian sexual orientation; he’s just that awesome. Finally, it’s a little thing, but Goldfinger’s gold plated revolver really PISSES me off; there’s only one man with a golden gun, and we don’t see him until a decade later.    

Final Thoughts:

Connery was hitting his stride with the Bond character, and this was a good one to do it. The little things were all there: The annoyance with Q, the banter with Moneypenny, and the perfect cat and mouse game with Goldfinger. This performance is Bond at his most vulnerable. The man can be bested; he’s just really good at finding a way to survive against all odds.   

4.5 out of 5  

The Rankings:  

The Villains:

1. Aurich Goldfinger (Goldfinger) 
2. Klebb/Morzeny (FRWL) 
3. Dr. No  

The Henchmen: 

1. Oddjob (Goldfinger) 
2. Donald Grant (From Russia with Love) 
3. Mr. Jones/Professor Dent (Dr. No)  

The Girls 

1. Tatiana (From Russia With Love) 
2. Honey Ryder (Dr. No) 
3. Pussy Galore (Goldfinger)  

The Songs: 

1. James Bond Theme/"From Russia with Love" (FRWL) 
2. James Bond Theme (Dr. No)  
3. Goldfinger (Goldfinger)  

The Movies: 

1. Goldfinger (1964) 
2. From Russia with Love (1963) 
3. Dr. No (1962)

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